Netflix accomplished what no actor union, anti-capitalist spokespersons, and the whole anti-American global agenda could accomplish in 75 years of boring rallies and raucous choruses: stripping the US the label of only major audiovisual powerhouse in the globe. And curiously, although the efforts of the streaming giant have gone to every corner of the planet, it is Europe the one assuming the runner-up title, turning Spanish productions (Money Heist, Elite), German (Dark), Italian (The Trial) and even Swedes (Bonus Family). Now from the same continent, it’s Belgium’s turn to demonstrate why Europe is about to become the new epicenter of audiovisual production around the world.
What would you do if you knew that the day could literally kill you? Would you try to find a refuge underground? What if you can’t find it? What would you do if night is the only place you could be safe? Well, the above are the questions that producer Jason George (Narcos, The Protector) wanted to put on the table with Into the Night , the first original Netflix series from Belgium, which with just six episodes is already giving us something to talk about in the middle of the Covid-19 crisis , to the point that some – myself included, of course – are calling it “The New Lost “.
Now, if after watching the six excellent episodes of this series, you still have doubts and questions about this series, do not worry, because right now and without further ado we start the Analysis and Explanation of Into the Night.